15 gradi° di imprecisione

It is in this spirit that, in recent years, we have embarked on a path of natural evolution toward integrating the photographic language into the broader and more vibrant dialogue of contemporary art.

This path has led us to invite artists from other disciplines—painters, graphic designers, performers, and filmmakers—who choose photography not as an end, but as a means, as a trace, as a concept. We wanted to explore what happens when the gaze of someone "not just a photographer" encounters photographic technique, shifting boundaries and enriching our vision.

It is precisely within this research that 15 gradi di imprecisione, William Fernando Aparicio Camacho's first solo exhibition in Switzerland, takes place, running from March 8 to April 26, 2026. William Aparicio, a Colombian-born artist with an academic background who has lived and worked in Milan for several years, does not use photography to tell a story, but integrates it into a more complex expressive universe that includes installations and videos. His goal—as anticipated—is to create a narrative and interrogate the very nature of time, a central theme of his research and a concept as elusive as it is universal.

The works on display are not simple snapshots, but environments and visual constructs to be explored. In the installations, space becomes an integral part of the work, enveloping the viewer; in the videos, time is no longer a frozen instant, but becomes duration, flow, repetition. Photographs, objects, and projections are the basic elements of what we might call metaphors of time, where the fourth dimension is captured, layered, frozen, or, conversely, expanded.

With 15 gradi di imprecisione, CONSARC/GALLERIA continues its mission of promoting photography not as an island, but as an archipelago connected to all the other arts, in the knowledge that an artist's gaze, regardless of their primary medium, can reveal unexpected truths.