A unique collection of its kind, capable of transcending space, time and cultures, it offers a profound reflection on the aesthetic and conceptual value of simplicity. The temporary exhibition, curated by MUSEC researchers Nora Segreto and Paolo Maiullari, is constructed as a journey into the most essential meaning of simplicity, expressed in multiple aspects. Simplicity, in this sense, is understood not as reduction or subtraction, but as a conscious choice of a powerful expressive language. On display are fifty traditional works, including anthropomorphic sculptures, ritual containers and everyday objects belonging to the Ifugao, Kalinga and Bontok peoples of the Cordillera (a mountainous region in the north of the island of Luzon) - and nine creations by six contemporary artists from different Asian countries: Li Shirui (China, 1981), Lao Lianben (Philippines, 1948), Endō Toshikatsu (Japan, 1950), Zhang Lin Hai (China, 1963), Somboon Hormtientong (Thailand, 1949) and Francisco Pellicer Viri (Philippines, 1956). Their works – characterised by monochrome surfaces, minimalist lines and essential materials – do not seek effect, but essence. A language that does not explain, but evokes; that does not shout, but resonates. All seem to respond to the same inner need: to reduce in order to intensify, to omit in order to reveal.
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Features
- Event Category Art Exhibitions, Cultural